The Umpire of Heaven

A Book of Ours, poetry

Richard writes about a day in heaven, for our project A BOOK OF OURS. His heaven is simply a day spent with his father, watching cricket on the TV – and yet the affection with which he describes this day makes it so much more than “ordinary”…

Umpire

Sat there, my dad watching telly
His favourite commentator
Reporting the cricket. And dad
Big smirk on his face
Engrossed in the match
But he wasn’t the only one —

We were all there
And England was back in the game.
One of the boys hit it for 6
You can tell by the sound of the 
Ball on the bat
It was going for 6
A perfect moment. Heaven.

My dad doing the hand-signals
Signal for 6, signal for 4
Signals for “Out”, for “Wide”
In cricket, he knows it all.
And he’s got a sense of humour
Takes the mickey out of me, I tell him:
“One day you’ll talk sense.”

Football I’ve studied 20 years.
Learned — big teams are always beatable
If you play like a team without fear.
Get knocked down, make your comeback
Everyone’s got to struggle. Me, I’ve
Had my dips and in the biggest 
I lost everything. It caused me to rediscover 
Myself. My progress now is more and more —

And my dad is having a cuppa, eating sandwiches 
Sat there talking cricket, he’s got me intrigued.
Biggest smile on my face —
A family outing round the telly.

Richard

People who have experienced homelessness, and other vulnerable people, have made a medieval-style illuminated manuscript A BOOK OF OURS describing their lives, hopes and dreams in a 2-year project in Manchester, which had its public debut at Bury Art Museum in May and runs until July 2021.

This arthur+martha project took place at the Booth Centre, Back on Track and other support centres in Manchester, along with virtual workshops with (Invisible) Manchester and Inspiring Change Manchester. Much of this work has been inscribed into the illuminated manuscript, and many extra pieces are to be found here on our blog. The book pages and songs were made collaboratively by people with lived experience of homelessness and other vulnerable people 2019-21.

Supported by Heritage Lottery Fund

Star Travellers

Necklace of Stars, poetry

From Jackie, one of the writers on the Necklace of Stars project, a journey deep into the sky and into the deep past.

Oh how the stars have shaped our lives
We gaze upon history.
See -

Great ancient cultures were born 
Of their worship
Of celestial ancestors

Rediscovered over generations
To be themselves revered as epic
Monuments of lost civilisations.

We gaze upon the same 
Wondrous interstellar light show 
As did the 

Pharaohs, Aztecs, Maya; we gaze upon history
As we strive to join our brethren
The sky gods.

Jackie

Starshine

Necklace of Stars, poetry

From TS, one of the writers on the Necklace of Stars project, an imagining of who wears the necklace. And who is watching...

A necklace of stars sparkles, 
Gracefully around the neck  
Of this cosmological goddess 
Holding her supreme position 
In the firmament; she reigns 
Over her subjects
As they move, almost indiscernibly 
Across the skies.  

The goddess moves her elegant hand 
Across the glittering jewels 
Adorning her throat 
Realigning them to create 
The most favourable conditions 
For earthly followers who scrutinise 
Every change and charm.
Step by step, she strokes each precious piece 
Until the ultimate arrangement arrives.

TS

Visions of angels

A Book of Ours, poetry

A BOOK OF OURS is an illuminated manuscript which gathers significant events, dates, people, celebrations and memorials, all in one book, giving a wide cross-section of hugely individual lives. Our hope is that by doing this we reassert the identity and the individuality of people who are sometimes dismissed as “homeless” when they are so much more.

Phil writes:

A BOOK OF OURS is in its final stages and we’ve been gathering a flurry of work to add to the project. Most recently, angels have arrived — these ones via their earthly emissaries the Inspiring Change Manchester art group, who have also made work for Whisper To Me Alone. As ever, the ICM afternoon was a delight, full of companionship and bustle and jokiness. Dylan Gwilym, who runs the group, creates an atmosphere of playful kindness for people to experiment safely within. Several people in the group have some experience of homelessness and this was discussed as we spent time together; included in this blog is a group poem constructed by me out of the conversation that day…

Angel artworks by the ICM art group. Top and bottom images by Becky Boo. Artworks in first panel (from top left to bottom right) by TN, Anonymous, Dee, GL and JP. Artworks paired in second panel by Dylan Gwilym and Lily Ozane.

Just like heaven

I’m good
At least I think I am. 
Thinking of angels 
Halos, I think of and
Doughnuts and rubber rings 

Think of people who’ve passed 
People passing you when you’re homeless 
Without giving
The time of day.

Seen a spirit
When I was a kid
When the window was open
A priest with no head
No one believed me
When I was out on the streets
People went past me, unseen 
Like you’re invisible.

Never seen
Spirits after that
But I feel them all the time

Me...I live in a theme park just like heaven, an angel
Tall and regal looking down.
It’s good to share trouble not hold it:
Swift-flying angel
Just let your imagination... go

Group poem ICM Art Group March 2021

Several organisations work together to support the art group:

Inspiring Change Manchester is a Lottery Funded Learning Programme. We work with people experiencing Multiple Disadvantages, who face barriers to accessing support and may be isolated within society. We follow a No Wrong Door approach, supporting people through a Multi-Agency Partnership that strives to be Asset Focused, Psychologically Informed and Person Centred. We are working to create System Change to tackle inequalities and improve people’s experiences in accessing the support they need.

Dylan Gwylim represented Self Help Services who are the partner providing the mental health element of the ICM project https://www.selfhelpservices.org.uk/

The group meets at Back on Track www.backontrackmanchester.org.uk Several Back on Track learners have been involved with various stages of A BOOK OF OURS.

For reading on clear, starry Spring nights

Necklace of Stars, poetry

Herewith, for reading on clear, starry Spring nights. Full of hope as we come out of lockdown -- two poems from AOS:

A necklace of stars,
Interspersed with dreams,
punctuated with memories
of beautiful themes.

Moments to treasure,
A joy to recall
Filling my life with pleasure, 
A sense of peace overall.

Gathering these  fragments
A delicate task,
Storing them  carefully
Seems a lot to ask,

But the happiness they bring
As I turn to reflect,
Give  me   Moments so beautiful
Life seems  quite  perfect.

AOS.

And next is a “simple thank you”, dedicated here to a son – but for everyone who helps us get through difficult times.

I need to thank you for being
my son,
I need to thank you for the things
you have done,
Taking time to talk when my spirit
is low,
means more to me than you will
ever know.

Thank you for the love you have
given without measure,
for this is a love only a mother
can treasure.

Thank you for all the  help and care,
Thank you for always being there.

AOS

The making of a page

A Book of Ours, Projects

Artist Lois Blackburn describes some of the processes in the creation of a page of A Book of Ours.

Creating the artwork for the Book of Ours has been a true collaborative process. Occasional pages have been made by one person, but most have the hands of 2 or 3, some pages have multiple artists and writers. This is a fitting tribute to the Medieval Illuminated Manuscripts that inspire our book. Each element was created by a different person (in the Western tradition usually monks) the parchment, the scribe, the illuminator, the book binder… For us, it means we can offer many ways for people to shine, be it writing, drawing, calligraphy, painting…

The illustration in the medieval manuscript was functional as well as decorative, marking the beginnings of important texts, and helping the reader to find their way around the book. The illustrations worked together to inform the reader, to tell the story. The Book of Ours, borrows from all these traditions, with artworks inspired by the poetry, or by themes and images directly from the medieval manuscripts.

During the last year, under lock downs and Covid restrictions, we have had to adapt our workshops, with smaller groups when we were lucky enough to meet at The Booth Centre and Back on Track, and remote ways of working, using on-line resources and the post. I contribute with themes, inspiration, resources, examples, creating a page template with space for illustrations and text. Sometimes I have much more input into the book pages. For instance one of the last pages in the book ‘The prospect of a bath’.

My first step was to block out the page, with space for the illustration, and space for Andrew’s beautiful poem, ‘The prospect of a bath’. Using transfer paper, I copied Andrew’s hand written poem onto the manuscript page. This in turn was written over with calligraphy pen and ink. I will always use people’s own handwriting where I can, and keep spelling and layout as unedited as possible.

I had been sent in the post a tender angel drawing, from C Blackwood, which I copied onto the page, creating the image in inks rather than felt pen, but keeping it as true to the original as I could.

Looking at medieval manuscripts for further inspiration, I found an image (see below on the left) that irresistibly fitted the theme, and one that could showcase C. Blackwood’s angel. The resulting page has perhaps more of ‘me’ in than I would like- normally a page like this would go backwards and forwards to various makers more often. However it does showcase the Andrew’s poem, and C.Blackwood’s angel, so I hope they will be pleased.

arthur+martha work with homeless and vulnerable people to participate in making the illuminated manuscript BOOK OF OURS. This project is partnered by the Booth Centre and Back on Track and supported by the Heritage Lottery.

Between the trees

Necklace of Stars, poetry

Raindrops hang like tears

from the solitary tree

outside my window.

Its bare cold branches

heavy with the falling rain.

It weeps for the world.

A blackbird perches

on the drab, grey leafless branch

And sings its heart out.

The gentle snowdrops,

Their innocent heads held high,

Swaying in the breeze.

Petals like teardrops

hang down, clustered together,

a pure, white, delicate gown.

Their tender green stems

Stand proud, they do not falter,

Defying the wind.

Day is almost done.

Between the trees, soft lights shine.

The world looks softer.

Anne

A Necklace of Stars, working with older people in Derbyshire, is supported by Arts Council England, Arts Derbyshire, DCC Public Health and Derbyshire County Council Home Library Service. This project is particularly aimed at countering isolation; during the pandemic we’ve been working using distance methods – post and phone conversations. Alongside writing and embroidery themed around childhood lullabies, we invite written responses to the pandemic, so that people can share their experiences as an antidote to lockdown loneliness. Here, Anne’s haiku sequence tells a story, moving from a dark mood towards the light — as the day itself travels in the opposite direction.

The song of twilight

Necklace of Stars, poetry

Three poems that sing, by Necklace of Stars writer Paula Elizabeth Tate:

Skylark 


Oh such pleasure from your songs
Listening to your silver tongues
Let me ride upon your wings
Hearing all the joys you bring.


Or I shall float as a cloud
Side-by-side with you reside?
For all the treasures of the world
Do not compare to thee, as none has thy sweet harmony.


And I shall polish stars at night
The moon will beam with sheer delight
But only when the skylark sings
Dancing round a million springs, for my heart’s a-flutter, a sky of wings.


Paula Elizabeth Tate


——

After Shelley

"We look before and after
And pine for what is not
Our sincerest laughter 
With some pain is fraught
Our sweetest songs are those that tell of saddest thought."


Yet on we strive with songs of love
Hoping that one’s soul be reached
Never sure what would inspire
Knowing only our own desire
Until we hear that voice from thee, then all our dreams lie — silently.


Paula Elizabeth Tate


——

The Song of Twilight


The distant calls enchanted
As birds sang from a tree
No tender words were needed
They were in the melody.


Joined by sudden ripples
From the singing brook
In that fleeting moment
In that fleeting look.


The breeze was also humming
In a gentle way
For now’s the time for twilight,
The closing of the day.


As soft grey shades of evening
Make silver threads on leaves
Twirling to the music
The flurried dance of trees.


I stopped to search and listen
Some precious time I took
In that fleeting moment
In that fleeting look. 


Paula Elizabeth Tate

A Necklace of Stars, working with older people in Derbyshire, is supported by Arts Council England, Arts Derbyshire, DCC Public Health and Derbyshire County Council Home Library Service. This project is particularly aimed at countering isolation; during the pandemic we’ve been working using distance methods – post and phone conversations. Alongside writing and embroidery themed around childhood lullabies, we invite written responses to the pandemic, so that people can share their experiences as an antidote to lockdown loneliness. Paula Elizabeth Tate’s poems are chock-full of rhythm and melody. Whether she’s taken flight with a skylark, in mid-conversation with the ghost of PB Shelley, or listening to the sounds of evening, she is a poet whose words sing.

The Good, the Bad and Covid

Necklace of Stars

Two Necklace of Stars writers share their thoughts on the pandemic.

First Jo:

The Good, the Bad and Covid

Strangers crossing the road to avoid passing me by. Social etiquette changed, no shaking hands or hugging and no standing next to someone you do not know. Throughout the world our perceptions have changed. The old normal is no longer relevant and new normal is here. It is one year now since the world has lived with Covid.

While I watch the news, questions arise in my head. Why were the Government slow to act? Why too late in their actions ordering PPE? Why no border controls for 12 months? Why did they not follow medical evidence in February? Why no strategy, or half-baked at best? Why no explicit target on how to drive the virus out? No explanation on the failure in Track and Trace and the lack of disclosure or suppression of data. Scientists not challenging Government proposals when evidence suggests action needs taking immediately. U-turns in policies and non-action causes me to think the mistakes made amount to a state failure of mismanagement. My exasperation grows and a deep mistrust surfaces within me.

But the Vaccine roll-out is a success. The lockdowns caused by Covid gave me time to hope, to dream, to create and have time to act on my thoughts. It gave me the space to finish tasks that needed completing, to breath fresh air and connect with nature. I can pursue my hobbies cherish my family and friends. I learnt of the caring and kindness of neighbours. It allowed my imagination to wander to put my thoughts to paper and most all realise through the difficulties of 2020 — the human spirit is alive and well.

And now Lynn Ezea, and the summers ahead:

How have things changed? Trust has changed, because more is hanging on it. Some people can be trusted more than others. Some family members will stay safe within their bubble, some won’t — or can’t. For some people, the NHS is heroic, for others who couldn’t attend the death of relatives, they’ve lost trust in it. And what about trust in politicians? The politicians waited last year, trying to leave the difficult decisions ’til this year. A bigger lockdown could’ve happened a year ago. We have a Prime Minister who takes his time, but time is life. So many people have died in the hospitals. I’d be surprised if Covid has gone this year, what with the variants and the politicians.

My advice is to fill your mind with other things. Reading, writing, radio, TV. Go out if you can. People are dreaming of holidays, but that can’t be right now. The only thing you can possibly say is — it won’t last forever. Have hope – and look forward to the summers ahead…

Writing in Solitary

Necklace of Stars

Necklace of Stars writer Tony Shelton on writing and healing:

When my wife died after 50 years of marriage and five years of terminal decline, I resolved to rebuild my life. I moved, I joined, I volunteered, I explored, and I made new friends. I also made an effort to keep in touch with old ones and with distant family members. Then a news report emerged about a virus outbreak in an obscure city in China and the world changed. Looking back, I have always written, from student days onward and over the years I have tried short stories, even a novel, and poetry. For some years, I even wrote (amateur) music reviews and a few articles (some satirical) for professional journals. I enrolled for creative writing courses. I have researched and written about local history. In total, I have been paid about £150 for my efforts.

But now, in the eleventh month of being locked down and isolated and with almost all my other activities suspended, I have almost become a full- time writer. I sometimes used to imagine how I would cope with being imprisoned: I would ask for pen and paper and write, write, write. Now I am shut up, shut off, I am doing just that. Almost as soon as I have had breakfast, I open up the laptop and write. I scribble in a notebook, sometimes in the early hours of the morning, and ideas go in and around my head. On some days I write for 4-5 hours or more.

My writing is varied. I keep a diary of my experience under the Covid regime (now nearly 200,000 words long). I write emails, texts and WhatsApp messages to friends, new and old, both nearby and distant. I keep in touch with distant family members in the same way. And, to one old friend in the West Country, who doesn’t use email, I write and post letters. I have contributed to a University dream survey. I sometimes send in pieces to a creative writing group in Cumbria which I used to belong to. I have entered one or two competitions with no success. I also write very practical stuff as secretary and ‘scribe’ of a local charity, drafting policies and compiling an archive.

And thanks to the guidance of arthur+martha’s Necklace of Stars project, I have compiled a series of pieces on my childhood memories, some of the most rewarding writing of all.

I’ll not turn anything down if it gives me a chance to write. But I can’t write if no one is going to read it – that would be like a stand-up comic performing to an empty hall. But if a piece of writing is useful or that people might get something out of it, that is rewarding. I
like the idea of being a journeyman writer – able to turn my hand to almost anything. Writing is about communicating and is some compensation for not being able to meet and talking in a café or pub, visit people at home or entertain visitors. Writing gives me
challenges, it keeps my brain working, keeps me focussed, stops me thinking and brooding too much and passes the time like nothing else. At the moment, I have no idea what I would do without it…

Tony Shelton
February, 2021